![]() Festive and energetic, it is based on a syncopated melody. The Jocul cu bata ("Dance with Sticks") is a young men's solo dance, with various figures, the last of which consists of kicking the room's ceiling. ![]() Characteristic of the excellent Hungarian musician and composer, these folk dances are indeed a truly creative refashioning of Transylvanian peasant dances that could have been composed only by one who knew them thoroughly and personally. Their component parts were collected predominantly in the Central Basin of Transylvania, which used to be a Hungarian territory before it was annexed to Romania in 1920. Rather, the title Romanian Folk Dances of Hungary, by which the work is known in Bartók's country, more aptly describes their origins. These folk dances do not actually originate from the country of Romania as we recognize it today. Originally written for piano, they were transcribed for small orchestra two years later. In 1915, Bartók wrote the Romanian Folk Dances. Together with his colleague and fellow composer Zoltán Kodály, Bartók collected and notated more than 6,000 pieces of folk music between the years 19. He spent a great amount of time during his career performing musical "fieldwork " using an Edison phonograph, he collected folk melodies in his native Hungary as well as in the adjoining Slavonic and Bulgarian regions. While vacationing in central Hungary in 1904, young Bartók was struck by a haunting melody sung by a peasant girl the composer made sketches of the tune and others indigenous to the same district, noting their similarities and speculating that each region of the country might possess a distinct folk style.Īnnually from 1906, Bartók traveled around the countryside, visiting remote regions, living with peasant communities, discovering their music. In his autobiography, Bartók reveals that he realized early on that these songs were inauthentic - and also musically insufficient to hold the seeds of inspiration for "serious" composition. ![]() Prior to Bartók's contribution, popular, "folk-like" songs had provided material for Hungarian nationalist composers. His compositions reconcile revolutionary musical ideas with a deep appreciation for his homeland and its peasant culture. The greatest composer of his country, Béla Bartók developed his early interest in Hungarian folk music into a serious study of folk melodies and their origins. ![]()
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